Friday, 16 December 2011
Filming Schedule, Roles and Responsibilities
I will start my filming on the 22nd of December.
As it is winter, the light will go very early so I will have to film early day-time. I will get all of my outside scenes shot in one day for continuity, for example if it snows on the 22nd I cannot film parts of the same scene on another day where it is not snowey.
At 11am I will shoot my street scene. I will use Getliffe's yard in Leek. I will be responsible for all equipment and shooting. The actors will only be responsible for wearing the outfits I plan, showing up and acting.
Shooting here should take around an hour. At 12am we will walk as a group to Leek Library, where I can shoot my corridor and staircase scenes. After shooting is finished here we will walk as a group to St Edward's Church, where I will shoot the wedding scene. Adult actors are not needed after this scene, so they may leave for home.
After shooting is finished at the church, we will walk as a group to Westwood Rec., where I will shoot the park scene. Light will be going around this time so filming is finished for the day.
After Christmas, maybe the 27th or 28th, the house scene will be shot in my own house. Only the two adult actors and small boy are needed for this scene. Shooting should only take an hour or so.
After this has been shot then all my footage is completed. I will edit all of the footage myself back at college in January. Before editing takes place I can use my free time in the holidays to find good audio for my production.
I'll update my blog over Christmas as my task progresses :-).
Preparing for production - Me
Shooting - Me
Editing - Me
Main Character (Adult version of Small Boy) - Matt Ball
Small Boy - Lucy Kelsall
Small Girl - Alicia Powell
Boy 2 - Max Kent
Older version of Small Girl - Linzii Shea
Laughing Boys - Sam Booth, Luke Robinson
As it is winter, the light will go very early so I will have to film early day-time. I will get all of my outside scenes shot in one day for continuity, for example if it snows on the 22nd I cannot film parts of the same scene on another day where it is not snowey.
At 11am I will shoot my street scene. I will use Getliffe's yard in Leek. I will be responsible for all equipment and shooting. The actors will only be responsible for wearing the outfits I plan, showing up and acting.
Shooting here should take around an hour. At 12am we will walk as a group to Leek Library, where I can shoot my corridor and staircase scenes. After shooting is finished here we will walk as a group to St Edward's Church, where I will shoot the wedding scene. Adult actors are not needed after this scene, so they may leave for home.
After shooting is finished at the church, we will walk as a group to Westwood Rec., where I will shoot the park scene. Light will be going around this time so filming is finished for the day.
After Christmas, maybe the 27th or 28th, the house scene will be shot in my own house. Only the two adult actors and small boy are needed for this scene. Shooting should only take an hour or so.
After this has been shot then all my footage is completed. I will edit all of the footage myself back at college in January. Before editing takes place I can use my free time in the holidays to find good audio for my production.
I'll update my blog over Christmas as my task progresses :-).
Preparing for production - Me
Shooting - Me
Editing - Me
Main Character (Adult version of Small Boy) - Matt Ball
Small Boy - Lucy Kelsall
Small Girl - Alicia Powell
Boy 2 - Max Kent
Older version of Small Girl - Linzii Shea
Laughing Boys - Sam Booth, Luke Robinson
Mise-en-scene
Costume/Make up
My main character will wear normal yet mismatched clothes. I will have a button on his shirt done up wrong to show that he cannot function simple things and highlights his childlike mental features. He will have stubble to highlight that he cannot look after himself well and perhaps fingerless gloves to show a stereotypical convention of a homeless person, because mentally, he is also homeless.
My young boy will wear clothes considered 'un-cool' to highlight that he is an outcast. he will be wearing his shirt tucked into his trousers and maybe his hair gelled to the side.
In contrast, my boy number 2 could be wearing his hair spiked and clothes considered 'cool', such as jeans, trainers and a tee shirt with a cartoon on.
As boy number 2 grows older he continues to wear 'cool' clothes like jeans and a nice suit when he gets married. He is clean cut and has short hair to highlight his normal place in society.
As we see flashes of my young boy as his older self, he will wear what seem to be hand-me-down clothes like big baggy teeshirts and will continue to have his hair gelled down. He could wear glasses and have braces to highlight that he is an outcast. In the first few flashbacks he could be wearing light coloured clothes, whereas as the flashbacks progress they could get darker to represent the darkness of his nature.
My young girl wears a white dress throughout. This stereotypically represents her innocence. She could be wearing light makeup as she grows older to also show this, instead of wearing heavy makeup. Her very natural appearance makes her seem sweet.
Location/Setting
The fact that my man is alone on a busy street at the start of the sequence could emphasise his loneliness and isolation of mind.
I chose places like a park and a school corridor to use because they are very childish places and the disruption of these makes the disruption more effective as childish places are supposed to be innocent.
A church is used for the wedding to represent religion. Religious people are normally very moral people and this makes their murders more dramatic, as the deaths are to good people.
I chose to use the couple's house for the murders because it will seem more isolated therefore more dangerous, and can also represent the isolation of the main character's mind.
Props
Knife - stereotypically dangerous. Creates tension as it links into death.
MC could be playing with lighter - fire = danger and therefore tension
Rope and gag that has tied woman up - more danger, renders her vulnerable and helpless, stereotypical convention
MC could be playing with lighter - fire = danger and therefore tension
Rope and gag that has tied woman up - more danger, renders her vulnerable and helpless, stereotypical convention
Characters/ Actors
Older actor for main character to seem more menacing.
Young boy for the child to show his innocence.
Will use appropriate actors for characters and hopefully people who have studied drama to make my film more effective
Older actor for main character to seem more menacing.
Young boy for the child to show his innocence.
Will use appropriate actors for characters and hopefully people who have studied drama to make my film more effective
Lighting
I am using dull lighting for when we view life from common society's eyes. It shows the dullness of their minds. The colourful bright lighting used from my main character's perspective shows his colourful and unusual mental state.
Thursday, 15 December 2011
Wednesday, 14 December 2011
SHOOTING SCRIPT
I'M SORRY THAT MY TABLE GOES SLIGHTLY OVER THE SIDE!!
SHOT # | SHOT TYPE | OF? | LOCATION | CAMERA ANGLE AND MOVEMENT | AUDIO | TIMING | TRANSITIONS/ EFFECTS |
1 | ESTABLISHING SHOT | People walking up and down a busy street | Still to be planned, maybe main shopping street of Leek? Or Getliffe’s Yard? (Easier to control) | Tilted down from high angle. | We hear a busker singing a song that can relate to my storyline | 5 secs | - (cuts to next shot) |
2 | Long shot | Busker, on guitar, singing | A point of the street | Tilted slightly upwards from low angle | Voices in the street, busker | 3 secs | - (cuts to next shot) |
3 | Long shot or mid shot | Main character sitting watching people walk past | Side of street | Low angle to passers by but at eye level with main character. Camera dollies round to face him. | Hear voices speeding up and buskers song turn into original version | 6-7 secs | Maybe when filming MC sitting the clip is sped up? To create confusion. Zoom into eyes. |
4 | Extreme close up | MC’s eyes | “ | Eye level | Original song playing | 4 secs | Footage is reversed back to the long/mid shot of man, everything reversed including audio. |
5 | Long/mid shot | MC. We also see group of youths standing and chatting in front of him. After dolly shot crosses behind him these youths are seen laughing and pointing at him. | “ | Dolly shot around back of MC. Canted angle at end of dolly shot. | Audio changes into different song, haunting and dramatic | 6-7 seconds | lighting is changed from dull to bright. fade used to merge the two. Cut to next shot. |
6 | mid shot | Youths laughing and pointing at MC | Middle of street | Slightly low angle, canted | Haunting but abrupt noise as camera cuts to them | 2 secs | - cuts to next shot. Flickering effect between laughing youths and normal youths. |
7 | Close up | Clowns face | Other side of street | “ | “ | 2 secs | Cuts to next shot. Flickering effect between clown and blank wall where he is standing. |
8 | Close up | Balloon | “ | “. Canted angle straightens out | “ | 4 secs | Shot fades into next shot of balloon |
9 | mid shot | “ | park | Balloon height. Camera pans down balloon so we see small child smiling and holding it | Slow but happy piano music | 4/5 secs | Lighting is dull again, cuts to next shot |
10 | Long shot | Girl on swing, smiling at boy | park | Low angled shot | “, and girls laughs and squeals echoing as she swings | 5 secs | Dull lighting, fades into next shot |
11 | Close up | Boy’s face | park | Eye level | Piano music | 3 secs | Fast fade back into bright first scene |
12 | Extreme close up | MC’s eyes | street | Eye level | Screechy violin music? | 3 secs | Sped up footage |
13 | mid shot | The young girl staring into camera | street | Canted angle | Haunting but abrupt noise as camera cuts to them | 2 secs | Really bright /colourful lighting |
14 | Close up | “ | street | “ | “ | 2 secs | |
15 | “ | Same girl but smiling weirdly at the camera | street | “ | “ | 3 secs | Fades into next shot |
16 | Close up | Last shot has faded into face of the same girl but older, grinning somewhere into the distance | corridor | Slightly low angle | Slow piano music again | 3 secs | Light has gone back to really dull, but a little brighter than last flashback |
17 | OTS shot | OTS of little boy watching girl walk into arms of other boy | corridor | Hand held walk around to view little boy’s face, it looks sad. Angle is slightly canted | “ | 8 secs | The hand held move to boys face is sped up and scene fades back into street scene |
18 | Shot 12 replayed. | - | - | - | - | - | - |
19 | Shots 13 14 and 15 replayed but with young boy | - | - | - | - | - | - |
20 | Close up | Last shot has faded into this boy laughing menacingly | Stair case | Angle is slightly canted | Piano again | 4 secs | Shot slowed down. Lighting dull again but slightly brighter than last flash back |
21 | High angle shot | Laughing boy beating first boy up. Camera tracks left in this shot and it goes behind an object, after it emerges the boy getting beaten up is older, then after another object he is the first boy again. At end the girl is seen pulling the other boy away. | Stair case | “, and camera tracks left | “ | 7-10 secs | Lighting is getting brighter and more colourful, fades back to shot 12 replayed |
22 | Shot 12 replayed | - | - | - | - | - | - |
23 | Shots 13 14 and 15 replayed but with wedding dress in a shop in the street | - | - | - | - | - | - |
24 | Long shot | Last shot fades into back of first girl wearing wedding dress, she is holding hands with the aggressive boy | Inside church | Handheld camera moves backwards down the aisle, canted angle | Piano. Church bells echoing in background? | 6 secs | Lighting is almost as bright as in first scene, and the part where camera moves backwards is sped up. |
25 | Long shot | After camera has reversed enough we see the first young boy standing at the door, peaking in watching wedding. Image flickers between him and grown man | Outside church | Angle is very canted now. | “ | 4 sec | lighting = “ |
26 | Extreme close up | Man’s eyes crying | Outside church | - | Piano fades as eyes close | 5 secs | as man closes his eyes, scene fades to black, cuts to next scene |
27 | Extreme close up | Little boy’s eyes opening | house | - | Haunting but abrupt noise as camera cuts to this shot | 2-3 secs | - |
28 | Tracking shot | Following young boy from behind carrying knife, walking down corridor to door | house | Tracking boy, canted angle. | Piano music has started back up | 6-7 secs | Slow motion. Lighting as bright as first scene. |
29 | Long shot | Boy comes through other side of door, walks over to woman in wedding dress tied up, husband dead on bed. | bedroom | 270 degree dolly around woman so we see all of this. | Piano music has got very loud and tense | 5-10 secs | Slow motion. |
30 | Extreme close up | Woman’s lower face, we see she is gagged, boy leans in and gently kisses her on the cheek | bedroom | - | Music stops. | 5 secs | Slow motion. Cuts to next shot |
31 | Long shot | The door the boy entered | house | Canted angle | Silence for three seconds. Echoing scream. | 6 secs | Fades out. |
32 | High angled shot | MC on street. Shot flickers between grown MC and little boy sitting there. | street | - | Robotic noise for flickering | 5 secs | Dull lighting again Cuts to next shot |
33 | Extreme close up | Little boy’s mouth. Suddenly smiles. | street | Camera tilts very suddenly as boy smile. | Haunting but abrupt noise as he smiles. | 3 secs | Lighting goes very bright as boy smiles. Fades to black. |
= 153 seconds. Over by 33 seconds, will have to cut down some shots.
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